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We were able to get some images from the Re-sampling Ornament show and an article that was published in Switzerland. We plan on having more spicific content on the individual projects later in the week. So for now enjoy>>>>> read more

A great exhibition on R. Buckminster Fuller is currently on view June 26 - September 21, 2008 @ the Whitney. There is a great collection of videos on the site and some basic background info that would bring you up to speed if you knew very little about Fuller. We will have some tricks & treats  dealing with Buckminster’s work later in the week, for now have a look at the video below. read more

Skylar Tibbits: Tesselion is a project by Skylar Tibbits which proposes a system of flat panel tessellation derived from complex surfaces to enable ease in constructability and a directly evolved spatial environment through lighting, programmatic adaptation and structural simplicity. Each panel’s uniqueness is afforded by the efficiency of digital fabrication while coded parametric relationships allow an emergent structural efficiency, from a single panel to the complete adaptability of the surface as a whole. read more

Photos: Richard Nickel, Courtesy of the Richard Nickel Committee, Chicago, Illinois & Key Portilla-Kawamura

01. 06. – 21. 09. 08

Re-sampling Ornament
Curators: Oliver Domeisen, Francesca Ferguson

Exactly 100 years after Adolf Loos wrote Ornament and Crime, a manifesto that effectively relegated ornament in architecture to the peripheries of the discourse, “Re-sampling Ornament” takes a first step towards tracing its re-emergence. For decades the language of architectural ornament has remained largely unspoken, but for a few memorable post-modern architectural experiments. Yet from Owen Jones ‘Grammar of Ornament’ to John Ruskin, Gottfried Semper, Louis Sullivan and William Hogarth – and contemporaries such as Kent Bloomer, a rich vocabulary of opposing and often contradictory theories exists to be readapted, re-sampled, and once again applied at the heart of architectural practice. read more

Informiation on this exhibition has been taken from ball-nogues web site>

Unseen Current is a navigable billow of fog flowing through Extension Gallery. Three thousand hanging strings or “catenaries” totaling 10 miles in length span between the walls of the gallery in precise arrangements. From a distance, this three dimensional array of catenaries suggests a surface or volume; upon moving to its center, it evokes a rolling fog. To this end, custom software was developed to explore the form of (and generate the plans for) the project. Like a pointillist painting in space inspired by the smoggy sky of Los Angeles, the color of the installation gradates from a rich orange to sky blue. read more

Make paper war not war! The best place to experience the pleasures of such a pacifistic event is at the Craze Gallery on Portobello Road in London where Martin Postler and Ian Ferguson will showcase their Death Machines series of paper weapons kits and a series of customized paper AK-47s by an international group of artists and designers. read more

Solo installation from Claudio Sinatti on Vimeo.

Claudio Sinatti was commissioned to shoot Italian footballer Marco Materazzi for the Nike “Art of Football” exhibition. He built a special frame to hang on the player to film from all angles while he kicked the pig’s bladder around. read more

PHILLIPS DE PURY & COMPANY, NEW YORK PRESENTS ATMOSPHERICS, A GROUND-BREAKING GALLERY EXHIBITION OF “OBJECT ARCHITECTURE” BY ASYMPTOTE FOUNDER HANI RASHID

Phillips de Pury & Company is pleased to announce the groundbreaking exhibition Atmospherics, by Asymptote founder Hani Rashid. The works presented in this important show embody Asymptote’s radical architecture practice built on hybridity and spatial explorations. All of the works in the show are linked by their shared, formal exploration of objects subjected to speed and movement such as auto bodies or aerospace prototypes.

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Three Pratt Institute Sponsored Research Studios for Sustainable Architecture and Design

Containing work from the studios of Richard Sarrach, Lonn Combs + Mark Parsons, Anthony Caradonna + Francine Monaco

OPENING & RECEPTION
TUESDAY MAY 20, 6-9PM.
PRATT MANHATTAN GALLERY
144 WEST 14TH STREET, 2ND FLOOR

“Manufactured Surfaces” is an exhibition of design research that represents a unique collaboration between Pratt Institute and three progressive corporations that make architectural products and materials. Each corporation is partnered with a design studio comprised of architecture and interior design students. The intention of their research is to transform the character and performance of a particular product into something completely new that draws upon recycled material sources, enhances the sustainable qualities of buildings and spaces, and is adaptable to new geometries that respond to natural light. The work in these studios, while experimental in nature, is applied research that results in full-scale design-build proposals or achievable deployment strategies. These studios present a magically new and exciting direction in design research and education, made possible by the imagination and generosity of the sponsors and their faith in the creativity of our students. read more

Architectural design studio instructor Richard Sarrach teaches a project-based studio that interprets environmentally responsive design through the criteria of natural light. The skylight products from VELUX, readily available in the marketplace, serve as the technical constraints through which the students re-imagine the possibilities of a domicile created from naturally illuminated environments. The studio considers a speculative approach to the next generation of domiciles in relation to patterns of occupation in the 21st century, energy efficiency, building systems, and, consequently, a range of new lifestyles created out of the desire for a more responsive architecture. read more