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TIMEless: Call for entries

Filmmakers, architects and designers are invited to submit work to be shown in the exhibition ‘Timeless,’ located in SUPERFRONT’s gallery at the Pacific Design Center. The show will include projects of all types pertaining to the theme. The curatorial team welcomes entries from; theoretical all the way to interactive installation and every medium in between. The team will select work for presentation in public fora, an on-line installation and an exhibition for summer 2011. A catalogue of the work will be published and a lecture series will follow the opening on May 26th, 2011.
Timeless – An Architectural exhibition exploring the 4D possibilities of architecture
Film has influenced architecture since the dawn of the modern era. The creative process for entertainment, and creating places for living and working share common ground. Film influences the profession of architecture through its speculative spaces which are removed from the constraints of reality. These instances serve as inspiration in the creation of the architecture past and future. Timeless looks at designers (including filmmakers, architects, media artists, set designers, etc…) who deal with “blurring the threshold of spatial and temporal constructions.” The Call for Entries addresses space in time and time in space, and how to compose that relationship. The curatorial team seeks project and design approaches that address existing or experimental ways of working dealing with the timeless challenge of composing in time.
Please submit early to ensure a streamlined curatorial process. Authors of selected work will be notified shortly after submittal.
Submit Entries to: superfront.timeless@gmail.com no later than April 30th, 2011.
For more information, email the above address, call or txt 310.421.8042. For more information about past SUPERFRONT exhibitions please see SUPERFRONT.ORG. For more about the curatorial team please see cargocollective.com/ConceptualDG
Eligibility – Entrants must submit work done independently; no work done as an employee of another company, where the entrant is not a principal or partner, is eligible for submission.If the individual(s) is/are the sole principal(s) of a company, the company name will be listed as well. Where only one partner of a firm is submitting work, he or she can enter as a single entrant. Educators may not include work done in their classroom/studio or for their teaching. Architecture and design students are also eligible to submit work. Collaborative work between unrelated entities or individuals is eligible if the partnership is equal and any project with collaborators must include a signed document from the other collaborator(s) outlining the collaborative nature of the work.
Submission requirements – Please submit images of the work (no smaller than 640×480dpi) for the catalog with title, dimensions, year of completion, author(s), location, required media, etc…, and a written description of the work, not to exceed 250 words, which defines and considers the work under the rubric of the competition theme (significant weight is given to how an applicant’s work addresses the theme). We must also receive written consent to use the work in print on the web and to show the work in the exhibition.
Selected Entries – Please call 310.421.8042 to arrange a pickup or confirm delivery of your exhibited work. The work to be exhibited must be received no later than May 15th, 2011. Send CDs, models, slides, transparencies or other materials to:
SUPERFRONT
Attn: Timeless Curatorial team
255 S. Grand Ave #1005
Los Angeles, Ca 90012
Returning the Work – Please ensure that you arrange the shipping of the work. SUPERFRONT nor the curatorial team assume liability for the work. We will take every precaution to return submissions in the condition they were received, but cannot assume responsibility for loss or damage.
Curators Martin Roy Mervel & Ralph Spencer Steenblik,
Curatorial Team
Naomi Scully, Tiffany Shaw Collings, Chris Martin, Adriana McElwain, Christian Contreras
SUPERFRONT Program Director Mitch Mcewen
Key Sponsors: (SUPERFRONT is a nonprofit organization.)
Brooklyn Arts Council,
Brian & Suzanne Selmo,
Betty J Webb,
HDR Architecture, and
Architectural League of New York.

timeless

Filmmakers, architects and designers are invited to submit work to be shown in the exhibition ‘Timeless,’ located in SUPERFRONT’s gallery at the Pacific Design Center. The show will include projects of all types pertaining to the theme. The curatorial team welcomes entries from; theoretical all the way to interactive installation and every medium in between. The team will select work for presentation in public fora, an on-line installation and an exhibition for summer 2011. A catalogue of the work will be published and a lecture series will follow the opening on May 26th, 2011. read more


Sarif Industries:biomechanical augmentation firm

sarif-001

Great campaign for the new Deux Ex: Human Revolution by Eidos Montréal.

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SF Creative Mornings: Mike Monteiro

Mike Monteiro gave a great talk at the March 2011 San Francisco, CreativeMornings about making sure design professionals get paid for the work they do and the importance of contracts and attorneys, entitled F*uck You. Pay Me. Mike is the Design Director, and co-founder of Mule Design Studio. This event took place on March 25, 2011 and was sponsored by Happy Cog and Typekit. via Swissmiss

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MIT Media Lab: Recompose

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Recompose is a new system for manipulation of an actuated surface. By collectively utilizing the body as a tool for direct manipulation alongside gestural input for functional manipulation, they show how a user is afforded unprecedented control over an actuated surface. It was developed by Matt Blackshaw, David Lákatos, Anthony Devincenzi, Daniel Leithinger, Hiroshi Ishii from MIT Media Lab’s Tangible Media Group. They describe a number of interaction techniques exploring the shared space of direct and gestural input, demonstrating how their combined use can greatly enhance creation and manipulation beyond unaided human capability. Check out the video below. via media.mit.edu/recompose

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Spray Skin

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By Jörg C. Gerlach, MD, PhD,McGowan Institute for Regenerative Medicine, University of Pittsburgh, PA

There is a clinical need for improved therapy of burn victim patients, for example soldiers who received extreme traumatic burns in the line of duty. Victims suffering from full thickness -3rd degree- burns often die, because the therapy of choice (surgical skin mesh auto grafting) is limited by the availability of healthy skin cell area. read more


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