A few months ago core.form-ula sat down with distinguished Professor of William Katavolos for several hrs and discussed everything from his organic manifesto and the origins of his work to the history of Pratt and the future of the profession. These have now been compiled into a 12 part profile that is available in both audio and video formats. Enjoy>>> read more
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“Envelopes” Exhibition, guest curated by Christopher Hight
Wednesday, March 3, 6 pm
Free gallery tour and preview with an informal discussion led by guest-curator Christopher Hight. Many of the participants will be on hand to answer questions.
Thursday, March 4, 6-8pm: Opening reception and the
Pratt Manhattan Gallery will present “Envelopes,” an exhibition that will explore new and sustainable potentials of the architectural surface in terms of the skin of a building and also as a sensorial space that envelops the body. “Envelopes” will feature full-scale, interactive models accompanied by architectural renderings in the form of drawings and computer animations, and documentation of the process of investigation into these models from eight international firms and designers. The exhibition will run from March 5 through May 5, 2010 and will be celebrated with an opening reception on Thursday, March 4 from 6–8 PM. The exhibition and opening reception are free and open to the public.
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image ©EASTON + COMBS
On Fri the 22nd of 2010 we had an opportunity to sit down w/ EASTON + COMBS and discuss their entry into this years MOMA P.S. 1 Young Architects Program.
CF: What was the initial design approach?
E+C: In our project entry for the 2010 YAP we began by conceptualizing this year’s shift in the theme to include some consideration of sustainable design issues. One of the critical questions we have been investigating is the role of innovation within architecture’s response to sustainability, and we saw the PS1 project as an extension of this research. Innovation and the defining concerns of budget and the schedule, were therefore our primary points of departure, which quickly intersected through questions of material research, fabrication and efficient assembly methodologies. We felt very strongly that a successful design proposal must raise the bar simultaneously in the aesthetic character of the courtyard and in terms of a truly innovative agenda regarding sustainable design. Given the new criteria set forth by the MoMA and PS1 committee we also saw the commission as an opportunity for the MoMA to play an active role in addressing the larger question of sustainability in design culture in the 21st century.
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New addition to our 3rd column scripting++ section wework4her
_Context and argument.
Ted Kruger , in his lecture series, Instrument and Instrumentality , uses Herbert Simon’s distinctions between ‘natural’ and ‘artificial’ sciences to describe the ‘sciences’ as operating on two agendas: understanding the world ‘as-is’ and speculating on ‘as-it should be’. Subscription to, and extension of the argument would mean that ‘applied science’ could be posited as the bridge between the two. Further, (architectural) ‘design as research’ could be argued to exhibit similar properties of using, translating, transposing and adapting the descriptive tools of natural science to engineer an imagined and wished world. However, it could also argued that this ‘translation’ has to be negotiated against more ‘weathered’ concerns of design including discourses on formal language, performance fitness, spatial perception and experience, socio-cultural implications etc. The over-arching context of this paper will be ‘apposing’ the current interest and rapid evolution of computation within architectural design, against such an idea of applied science. read more
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The architectural design community is faced with a shift in focus from an object-centric model of design creating aesthetic objects in fields to propose, instead, valid and relevant solutions to complex problems within complex systems. In this, traditional boundaries of ownership, ego and control need to be examined as does the flow of, and access to, elements of the design process. The issue is how to adjust an old model of project methodology which is not structured to support a systems-based approach. Based on philosophical foundations which have been developed precisely to address these issues, the SYNCH Research Group (synchRG), Lawrence Technological University, has initiated a project focused on a theoretical organizational system of research which addressed the idea of systems, curatorship, invited experts, open source standards and focused crowd-sourcing as a core operational structure. read more
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core.form-ula is the academic wing of form-ula. Our goal is to provide a platform, be it physical or virtual where architects, artists, designers, engineers, scientists, and writers can come together in collaborative space.
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