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“Envelopes” Exhibition, guest curated by Christopher Hight
Wednesday, March 3, 6 pm
Free gallery tour and preview with an informal discussion led by guest-curator Christopher Hight. Many of the participants will be on hand to answer questions.
Thursday, March 4, 6-8pm: Opening reception and the
Pratt Manhattan Gallery will present “Envelopes,” an exhibition that will explore new and sustainable potentials of the architectural surface in terms of the skin of a building and also as a sensorial space that envelops the body. “Envelopes” will feature full-scale, interactive models accompanied by architectural renderings in the form of drawings and computer animations, and documentation of the process of investigation into these models from eight international firms and designers. The exhibition will run from March 5 through May 5, 2010 and will be celebrated with an opening reception on Thursday, March 4 from 6–8 PM. The exhibition and opening reception are free and open to the public.
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There is some very interesting work coming out of Anthony Caradonna’s studio, in particular, the lighting prototypes that he is developing. The prototypes he is designing produce some interesting ambient qualities via cuts, folds, and overlap-page of material. I can see an incredible opportunity in his work with the play of material finishes in metal. We have featured his Pratt DesignTex Studio in the past, we will look to feature his studio research again in the near future. enjoy>
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New addition to our 3rd column scripting++ section wework4her
_Context and argument.
Ted Kruger , in his lecture series, Instrument and Instrumentality , uses Herbert Simon’s distinctions between ‘natural’ and ‘artificial’ sciences to describe the ‘sciences’ as operating on two agendas: understanding the world ‘as-is’ and speculating on ‘as-it should be’. Subscription to, and extension of the argument would mean that ‘applied science’ could be posited as the bridge between the two. Further, (architectural) ‘design as research’ could be argued to exhibit similar properties of using, translating, transposing and adapting the descriptive tools of natural science to engineer an imagined and wished world. However, it could also argued that this ‘translation’ has to be negotiated against more ‘weathered’ concerns of design including discourses on formal language, performance fitness, spatial perception and experience, socio-cultural implications etc. The over-arching context of this paper will be ‘apposing’ the current interest and rapid evolution of computation within architectural design, against such an idea of applied science. read more
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New addition to our 3rd column scripting++ section
biothing is working on an algorithmic articulation of the interface between the material behaviors and computational instruments in an attempt to engage with complexity. Computational patterns are understood as deep in terms of their potential to produce expressions at various scales. At the core of the work is an accumulative library of scripts and methods for their transcoding, networked with constraints of materials, structure, esthetics, fabrication and assembly. Evolving algorithmic infrastructure allows a designer to work at the scale of information linked to various forms of materialization. read more
Popularity: 3% [?]